Movie review : The Teenage Mutant Ninja Turtles.
by: Anthony Chatfield
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As a child of the 1980s, I’ve spent my fair share of time watching ridiculous mutated amphibians fight crime. The Teenage Mutant Ninja Turtles were essentially the single best phase I went through as a kid, complete with boxes of toys missing arms and heads and birthday parties and Halloweens devoted to the green foursome. I loved the turtles, and as a 7 year old did not fully appreciate how incredibly ridiculous the premise actually was.
Not to take away from how awesome the Ninja Turtles are either. They were a tongue in cheek slap at the corporate toy machine, but they were also the biggest cog in that machine after a while, and I was gladly willing to wait for whatever might pop out next.
Fast forward 17 years later, and the Ninja Turtles are staging a comeback. At first in the form of a mediocre cartoon on Saturday mornings involving the magic, world skipping formulas that have tried their hardest to emulate what makes anime so popular. And now in the form of a full length feature film crafted in glorious CGI. When I first heard about the new Ninja Turtles film I was ecstatic. The prospect of a brand new film devoted entirely to the turtles, and without those rubber suits, that was incredible. (Don’t get me wrong, those rubber suit movies were great).
The film itself was nothing less than what I walked into the theater expecting. First off let me clarify a few things, especially in response to the scores of reviews from other critics who have eviscerated this film on the grounds that it’s “not good”.
It’s not supposed to be good. I may be speaking through the eyes of a 7 year old boy, still enamored with the ridiculous premises and paper thin plot holes that riddle any store of giant talking rats and turtles, but can you really expect a film about giant ninja turtles to be genuinely good. No. And the problem is that they’re defining good in the classical sense of the word – that is, the presence of a substantial plot, emotional rise and fall, decent dialogue, a lesson. All that sugar coated nonsense that passes for good these days.
TMNT is a film based on the premise of placing the tongue firmly in cheek and making fun of what passes for entertainment these days. And as a friend pointed out to me, regardless of whether the plot is good or not, it’s more fully realized than the last ten animated Disney releases.
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Basically though, the film is about magic portals and world transferring, and evil creatures from beyond, the whole of the action taking place after the events of the original film trilogy and the defeat of Shredder. The result is a film with a plot that only serves as a catalyst for the turtles to reunite, fight, reunite again, and kick some butt. A fairly decent percentage of the film in fact is about the turtles interacting and fighting, and that’s what the film should be.
Dialogue is in fact incredibly bad. There’s no getting around that. After 10 minutes of film, I remembered more acutely just how awful that original show was written, and how I still loved it. The writer and director either emulated the original sensation wonderfully, or have no idea how to write dialog. For my money, I’m banking on the former.
And what could have passed as a three part TV episode needed the boost that technology could offer it. This movie looked beautiful. Mikey skateboarding down a sewer drain never looked so good, and the details in the turtles faces and expressions has never been so detailed. The slick, hyper stylized format worked perfectly and made the climactic battle scenes incredibly engaging, more so than you would expect from a Ninja Turtles movie.
Ultimately, I was massively pleased with the TMNT outing. As a long time Ninja Turtle fan, I got exactly what I was expecting from it, and I imagine new fans under the age of 12 will be just as enthralled. That’s not to say that a 35 year old who has never seen the Turtles before walking into the theater would necessarily enjoy it. It is after all a technically bad movie. What he doesn’t know, is that it is supposed to be.
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About The Author
I'm a self avowed unemployed writer, working on semi-constant basis to try and overcome the need to go and work a real job. I've written more than 200 articles and reviews and am constantly scouring the internet for any and all excuses and methods to make myself less dependent on corporate pay days. Visit my website at TheChatfield.com
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Yahoo! Movies: New DVD Releases Next Week
New DVD Releases Next Week

Posted on 8 Jul 2008 at 8:42pm Directed by Roger Kumble (THE SWEETEST THING, JUST FRIENDS), the 2008 comedy COLLEGE ROAD TRIP stars Martin Lawrence as Chicago cop James Porter, an overprotective father who wants to keep his college-bound daughter, Melanie (Raven-Symone), close to home. When the smart, assertive Melanie declares her intention to attend Georgetown instead of Northwestern, James insistently sets out with her on a cross-country car journey to Washington D.C., hoping to dissuade her along the way. En route, of course, plenty of hijinks ensue, including scenarios involving a precocious pig and, oddly enough, Donny Osmond, who turns up as an eeriely cheery dad also on a college-touring campaign.
With its broad, slapstick humor and enegetic leads, COLLEGE ROAD TRIP is a perfect vehicle for Lawrence and Raven, who both play to their well-established personas--the former a cranky bumbler, the latter a headstrong teen. Osmond, in his first film role in decades, ideally embodies Ned Flanders-like enthusiasm, stealing plenty of scenes with the aid of his equally giddy on-screen offspring (Molly Ephraim). Although it's far from high-minded cinema, TRIP is a fun, family-oriented road movie that easily appeals to a wide audience, and offers up many silly and appalling moments of parental embarrassment. (1 hr. 23 min.)
Secretary
Posted on 8 Jul 2008 at 8:42pm Lee Holloway (Maggie Gyllenhaal) has a few strikes against her when she applies for a secretarial position at the law office of E. Edward Grey (James Spader). First, she was released only recently from a mental institution; second, after one day back with her dysfunctional suburban family she has succumbed to her secret obsession - self-mutilation. Somehow, she gets the job anyway. Then again, Mr. Grey is far from a normal boss. They embark on a relationship together, crossing lines of conduct that would give most human resource directors shivers. (1 hr. 44 min.)
Step Up 2 the Streets
Posted on 8 Jul 2008 at 8:42pm Andie is a newcomer at the Maryland School of the Arts, and her bad girl streak and street style threaten to keep her from finding her place. But she pairs up with the popular Chase, and they find a group of students to dance in a secret competition that suits Andie's talents. (1 hr. 37 min.)
Penelope
Posted on 8 Jul 2008 at 8:41pm Like Tim Burton's EDWARD SCISSORHANDS and the TV show PUSHING DAISIES, PENELOPE is a modern fairy tale, complete with candy colors and whimsical cinematography. PENELOPE begins with a generations-old curse by a jilted lover: the next girl in the aristocratic Wilhern family will be born with a pig's snout and ears. Though ages pass, the bad luck finally manifests itself in young Penelope (Christina Ricci) much to the shame of her mother (Christopher Guest favorite Catherine O'Hara). In an effort to break the curse, her mother and father (Richard E. Grant, WITHNAIL AND I) try to bring in a series of blue-blooded suitors. But when they see her face, the men all run screaming. Enter Max (James McAvoy), a down-on-his-luck gambler who connects with Penelope. But when he is exposed as a fraud, the heartbroken girl escapes into the surrounding city. Though she hides her face with a scarf, Penelope gets to experience life outside her family's mansion for the first time.
Pig nose and all, Ricci is adorable as the title character, excellent in alternating between naïveté and independence. Oscar winner Reese Witherspoon succeeds in double duty as both a producer and in a small acting role as Penelope's first friend in the big city. But it's McAvoy, a standout in ATONEMENT and THE LAST KING OF SCOTLAND, who threatens to steal hearts. The pair's romance is believable, and it makes the film good viewing for fairy tale fans of all ages. The PG rating should appeal to families, as should the film's message about the importance of inner beauty and self confidence. (1 hr. 30 min.)
Shutter
Posted on 8 Jul 2008 at 8:41pm Treading territory similar to JU-ON: THE GRUDGE (2003), RINGU (1998), and ONE MISSED CALL (2003), all Asian horror films remade for American audiences, SHUTTER is the first English-language film for director Masayuki Ochiai, whose career has been primarily within the horror genre. The result is another potent ghost story able to conjure up feelings of dread through a single longhaired, poker-faced female apparition.
Newlywed New Yorkers Ben (Joshua Jackson, THE SKULLS) and Jane Shaw (Rachael Taylor, TRANSFORMERS) have traveled to Tokyo, where photographer Ben is investigating a potentially lucrative job opportunity. While driving on a dark road at night, the couple runs over a mysterious woman who seems to appear out of nowhere and can't be found after the accident. Over the next few days, Jane goes sightseeing while Ben works, only to see strange apparitions that also appear on the photos she takes. After Ben's photos show the same ghostly forms, he confesses that he knows something about the woman they ran over, but it may be too late to stop her trail of terror. Another Hollywood remake of an Asian horror film, SHUTTER has a tricky lineage: the 2004 original was made in Thailand, while this version is U.S.-financed, but shot mostly in Japan. By setting the film in Japan, director Ochiai retains an element of exoticism for American audiences, which also allows Ben and Jane to be out of their element, à la DON'T LOOK NOW. As the menacing spirit, Megumi, Megumi Okina is adept at conjuring fear with a simple glare in a minimal but effective performance. SHUTTER doesn't stretch the boundaries of horror cinema, but it provides a handful of decent shocks and a couple of crowd-pleasing gross-outs, all within the limits of a non-restrictive PG-13 rating. (1 hr. 25 min.)
The Bank Job
Posted on 8 Jul 2008 at 8:41pm A car dealer with a dodgy past and new family, Terry has always avoided major-league scams. But when Martine, a beautiful model from his old neighborhood, offers him a lead on a foolproof bank hit on London's Baker Street, Terry recognizes the opportunity of a lifetime. Martine targets a roomful of safe deposit boxes worth millions in cash and jewelry. But Terry and his crew don't realize the boxes also contain a treasure trove of dirty secrets - secrets that will thrust them into a deadly web of corruption and illicit scandal that spans London's criminal underworld, the highest echelons of the British government, and the Royal Family itself...the true story of a heist gone wrong...in all the right ways. (1 hr. 50 min.)
Eureka - Season Two
Posted on 8 Jul 2008 at 8:41pm This smart series from the Sci Fi Channel combines the strangeness of THE X-FILES with the diverse characters of NORTHERN EXPOSURE to create an innovative dramedy. A car accident leads U.S. Marshal Jack Carter (Colin Ferguson, COUPLING) to the small town of Eureka. The town is the brainchild of Albert Einstein and President Truman, and has become a haven for the smartest people in the country. Though Eureka appears to be like any other small city in the Northwest, its denizens make sure their home is never normal as they create the innovations that power the rest of the globe. As Eureka is kept a secret from the outside world, Allison Blake (Salli Richardson-Whitfield) acts a bridge between the town and the Pentagon. She and Carter bump heads, but their rivalry is driven by a heated chemistry that gives the show some zing. EUREKA also features the talents of genre favorites such as Joe Morton (BROTHER FROM ANOTHER PLANET), Debrah Farentino (EARTH 2), and Matt Frewer (MAX HEADROOM). This release includes the second season in its entirety.
Final Approach
Posted on 8 Jul 2008 at 8:41pm Anthony Michael Hall, he of former movie geekdom as part of the Brat Pack in the 1980s, goes full throttle as a terrorist who hijacks a commercial flight on behalf of the radical People's Separatist Movement. Luckily, Dean Cain is on board as a crackerjack hostage negotiator who is flying on the troubled airplane in question, while his wife (Lea Thompson), an FAA employee, works toward uncovering the terrorist group's motivation. With a nuclear holocaust looming, all sides must race against the clock before the government's executive decision to blow the plane out of the sky is carried out in this tension-filled actioner.
Talladega Nights: The Ballad of Ricky Bobby
Posted on 8 Jul 2008 at 8:41pm Ricky Bobby (Will Ferrell) is a NASCAR racing sensation whose "win at all costs" approach has made him a national hero. He and his loyal racing partner and childhood friend, Cal Naughton Jr. (John C. Reilly), are a fearless duo, thrilling their fans by finishing most races in the top spots - with Ricky Bobby always leading the pack. When a flamboyant French Formula One driver, Jean Girard (Sacha Baron Cohen), challenges him for the supremacy of NASCAR, Ricky Bobby must face his own demons and fight for his place as racing's top driver. (1 hr. 50 min.)
The Curiosity of Chance
Posted on 8 Jul 2008 at 8:41pm Chance Marquis (Tad Hilgenbrinck) is the new kid in school who manages to make friends with both the jocks and the outsiders in THE CURIOSITY OF CHANCE. The movie is set in the 1980s and takes an amusing look at high school conventions from the era.
Held Up
Posted on 8 Jul 2008 at 8:41pm Foxx portrays Michael Dawson, a successful Chicago businessman whose life falls apart while he's driving to the Grand Canyon with his gorgeous fiancee, Rae (Long). When Rae discovers that he has used their savings to buy the car, she cuts off the engagement and leaves him behind. Intent on driving back to Chicago to win Rae back, Michael instead finds himself stuck in a hillbilly town when a young punk steals his car. And when a gang of bandits attempts to rob the "Sip & Zip," it's up to Michael to keep the bumbling thieves and incompetent cops from doing real damage to each other. (1 hr. 29 min.)
Insanitarium
Posted on 8 Jul 2008 at 8:41pm He's played a terrifyingly mono-syllabic kidnapper and murderer, an eccentric drug dealer, and Satan at least once each, so it was only a matter of time for the well-trained Peter Stormare (FARGO, BAD BOYS II, CONSTANTINE) to take on the role of Dr. Gianetti, the unhinged head physician of the Mid-Psych mental institution. When the punky Jack (Jesse Metcalfe) discovers the patients of Mid-Psych--including his sister--are being subjected to experimentation and turned into vicious killers, it's up to him and his nervous-yet-trusty friend and sidekick (Kevin Sussman) to take care of business. This innovative and energetic directorial debut from MIDNIGHT MEAT TRAIN scribe Jim Buhler combines gallows humor, a vivid cast of characters, lovingly crafted practical gore effects, and genuine terror to a sickening effect.
The Melancholy of Haruhi Suzumiya - Complete Collection
Posted on 8 Jul 2008 at 8:41pm Blending smart humor, sci-fi, and fantasy, this anime series features a high school club specializing in the not-quite-commonplace. In MELANCHOLY OF HARUHI SUZUMIYA, the slightly off-kilter members of the title character's SOS Brigade parlay their loves of time travel, alien life, and ESP into adventures that are anything but mundane.
Grind
Posted on 8 Jul 2008 at 8:41pm When a drag-racing, hard-luck parolee moves in with his brother in hopes of that ever-elusive fresh start in life, he's sure to be warm for the form of his brother's bored young wife. Guess what? Things only get worse when he tries to turn a quick buck in a one-time insurance fraud operation. (1 hr. 36 min.)
The Fabulous Journey to the Center of the Earth
Posted on 8 Jul 2008 at 8:41pm Professor Otto Lindenbrock and his niece find an amazing lost world in the planet's core in this adaptation of Jules Verne's classic novel FABULOUS JOURNEY TO THE CENTER OF THE EARTH.
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